Playstation.Blog:

Through conversations with accessibility experts and incredible organizations like AbleGamers, SpecialEffect and Stack Up, we’ve designed a highly configurable controller that works in tandem with many third-party accessibility accessories and integrates with the PS5 console to open up new ways of gaming. It is built to address common challenges faced by many players with limited motor control, including difficulty holding a controller for long periods, accurately pressing small clusters of buttons or triggers, or positioning thumbs and fingers optimally on a standard controller.

This is the most exciting news I’ve seen out of CES this year.

Project Leonardo comes nearly five years after the Xbox Adaptive Controller was announced, but much better late than never. And coming in at a distant second means Sony has surely incorporated a lot of feedback about the Xbox Adaptive Controller into the design of Project Leonardo.

Project Leonardo can be used as a standalone controller or paired with additional Project Leonardo or DualSense wireless controllers. Up to two Project Leonardo controllers and one DualSense wireless controller can be used together as a single virtual controller, allowing players to mix and match devices to fit their particular gameplay needs, or to play collaboratively with others.

For example, players can augment their DualSense controller with a Project Leonardo controller or use two Project Leonardo controllers on their own. A friend or family member can also assist by helping to control the player’s game character with a DualSense controller or a second Project Leonardo controller. The controllers can be dynamically turned on or off and used in any combination.

The design of Project Leonardo is radically different from the Xbox Adaptive Controller. The sheer fact that hardware itself is highly customizable, from physical button layout to analog stick distance and size, let alone the ability to map buttons together and pair this device with a DualSense for individual comfort or collaborative, assistive needs, the combinations are seemingly endless. I’d be stunned if some curb cut effects don’t come out of all of this flexibility.

So Morimoto, Designer, Sony Interactive Entertainment:

“Because players can customize Project Leonardo according to their needs, there is no one ‘right’ form factor. We want to empower them to create their own configurations. The controller can also flexibly accept combinations of accessibility accessories to create a unique aesthetic. I am excited that the design will be completed through collaboration with players rather than presenting them with a single form factor.”

Competition fuels innovation, and the accessibility space can never receive enough innovation. I’m eager to see the informed reception and comparisons between Project Leonardo and the Xbox Adaptive Controller, and how accessibility in gaming evolves from here.

This is a seriously impressive fan-made Mega Man project. Gorgeous Mega Man X art. Multiple missions. Metroidvania style level design. And incredible soundtrack by Dominic Nimark. (I hear fan-made Mega Man projects are typically high caliber.)

Perhaps foolish, but I find it inspiring when creators invest in their fandoms to breath new life into beloved franchises. I don’t know if or how projects like this survive, but I’m certainly rooting for it. Worst case, I hope this catches the attention of Capcom and these folks get picked up for their talents.

David Yee, posting on Mastodon:

Something dissonant about the way that my Twitter feed is currently fully in desperation over the terrifying critical injury of Damar Hamlin, a 24-year-old football player, on a field in Cincinnati—a communally-experienced condemnation of the NFL—and how my feed here is… just not? I want to leave that place with an urgency, but the transition is teaching me a lot about network effects and the nuances of specific communities and the intention of spaces and I mostly just want that kid to be okay.

My heart goes out to Hamlin and his family. The footage is ghastly.

Had I not followed Yee on Mastodon from Twitter, I fear I would have no idea about this heartbreaking injury in such a timely and communial manner. I don’t follow sports much, and seemingly I don’t follow many sports enthusiasts on Mastodon. For as much as I praise Mastodon’s tech and positivity, the insight into periphery or even foreign communities through Twitter’s algorithm, its large userbase, and (dare I say) its “town square” ethos was a huge draw for me. I felt more informed about topical stories on Twitter than I do on Mastodon. This is a chilling insight from Yee.

My daughter!

Excuse my lack of preamble, but she is without a doubt my most favorite part of 2022.

It’s very hard to describe the joy that courses through my entire mind, body, and soul every time I see her. I’ve wanted to be a father for as long as I can remember. But hours before she was due, I had this paralyzing fear that some damaged part of my brain would about-face and reject the pride of parenthood. Thankfully, I was very wrong. The second I heard her cry, my heart burst. It was one of the greatest moments of my life, and things only got better. I discovered an incredible force of nature. Instinct took over. I immediately knew exactly how to care for her; how to protect her. And not only her, but my wife who had just endured the incredibly invasive and major surgery of Caesarean section — common, yes, but it will lay out strongest person.

Caring for both my wife and daughter

For the three days we spent in the hospital, I was on constant watch for my family. The second my daughter cried for food, I was awake and ready. Every moment my wife asked for help out of bed or for a breakfast burrito, I was there. I yearned to support and care.

Prior to leaving for the hospital, I had packed my bag with books and video games, none of which I touched post-operation. I found the experience of “being there” riveting. It was the most present I’ve felt in a long time and I’ll cherish it for as long as I’m able.

Now, onto the “things”…

(Favorite) Games of the Year

1. Loco Looper — A crafty iOS puzzle game built with Metal, Swift, and SwiftUI. It lulls the player into a sense of calm with very simple 6x6 railroad crafting levels, but eventually turns into an incredibly challenging puzzler, always leaving one piece to frustrate one to their wits end. Continuing the theme of my daughter, I have extremely fond memories working through Loco Looper while rocking her to sleep every 2-3 hours for weeks at a time. Hail portrait single-handed mobile games!
2. Tunic — (I’m listening to the soundtrack as I write this. What a joy!) An homage to early 2D Zelda titles, printed game manuals (in foreign languages), and an unparalleled sense of discovery. I started this game on an M1 Mac and finished on Steam Deck — a joy on both. Do yourself a favor and turn on No Fail Mode. The combat doesn’t do its brilliant experience of discovery any favors.
3. Teenage Mutant Ninja Turtles: Shredder’s Revenge — I won’t go on too much here. Read my review. All I can say is that TMNT: Shredder’s Revenge is a damn near perfect brawler with wonderful nods to both the original TMNT cartoon as well as the 8- and 16-bit era of TMNT video games.
4. Kirby and the Forgotten Land — I have not completed Kirby and the Forgotten Land, but that doesn’t mean it’s any less charming or impressive. For a Kirby game, I was not expecting something as rich and detailed as this. It demos poorly, so just move ahead with the purchase. You won’t regret it.
5. Elden Ring? — I didn’t play many games from 2022 in 2022, but I did pick up Elden Ring last week. In the 3–4 hours I’ve played, this game is incredible. I hate the lack of explanation about the controls, menus, items, builds, etc., and I’ve avoided any enemy more difficult than two swipes of a sword, but the world, fidelity, animation, and music are jaw dropping. This is my chill game of 2022. I’m sure that will change when I actually start playing in 2023.

Mastodon

For nearly 15 years, I was a heavy Twitter user. I made connections with many people I felt I had no business connecting with, found my tribe, and boosted my blog’s reach through some fortunate retweets and endorsements. And I tweeted a lot. But the act of tweeting began to feel more like an addiction and ephemeral than something of value. It was far from the feeling I get when I write a blog post, which was becoming fewer and fewer by the year. Once Elon Musk took ownership of Twitter, I bolted. I deleted all of my tweets, more or less bid adieu to the platform, and leaned into the Mastodon account I created in 2018. And it feels fantastic.

Since November 13, 2022, I’ve been monitoring my social media Screen Time:

I find these results shocking. Not only have I reduced my overall social media usage, but dropping Twitter was much easier than I thought it would be thanks to a wide adoption of Mastodon from many folks in the communities I take part in.

While my time engaging with Mastodon is on the rise, that’s not due to an algorithm. It genuinely feels like a healthier, friendlier social-network. And the decentralized nature means my content won’t just disappear.

In small part, I owe Musk thanks in prompting me to have a healthier relationship with social media. In large part, I owe Mastodon for being there when the rug of a centralized platform was pulled out from under its users. A brilliant technology at the right time.

If you’re unfamiliar with Mastodon or think it might be too complex, check out Brendon Bigley’s “How to Use Mastodon” explainer at his blog, Wavelengths.

Analogue Pocket Cores

I received my Analogue Pocket in 2021 and loved it then. But in 2022, its firmware was updated to unlock the FPGA technology inside to developers. Through this, multiple open-source “cores” have been released for the device including cores for NES, SNES, Genesis, Game Boy, Game Boy Color, and Game Boy Advance, amongst others.

These cores have changed my relationship with emulation and 8- and 16-bit retro gaming in general. Being able to hardware emulate my catalog of NES, SNES, and Genesis games and take them on the go is a childhood dream realized. In the early to mid ’90s, the best we could get was a Game Boy or Game Gear with slimmed down games, grayscale graphics, and/or poor battery life. Honestly, most of those experiences were great, but they paled in comparison Super Mario Bros. 3 on the NES, The Legend of Zelda: A Link to the Past on the SNES, or Sonic 2 on the Genesis. We just wanted to carry those experiences in our back pocket. And now we can. At a hardware level. The future.

Steam Deck

I’ve been missing out on PC gaming for some time. With the Steam Deck, I can finally enjoy classics like Half-Life 2, Halo, Mass Effect, etc., etc. On top of that, the ease of emulation through the Steam Deck is remarkable. While the emulation is not operating at a hardware level like the aforementioned Analogue Pocket, I am able to quickly load-up 3D favorites from PS2, PS3, GameCube, Wii, and many other consoles of yore. The Steam Deck is a wonderful companion to my Analogue Pocket, a great current-gen console (in handheld form!), and a hopeful glimpse into the future of handheld gaming.

Music

New Releases

• Band of Horses - “Things Are Great” — A return to form for pop/party rock indie mainstays.
• Momma - “Household Name” — ’90s era alternative wrapped up in a Gen-Z mindset.
• Dawes - “Misadventures of Doomscroller” - Throw Elvis Costello, The Greatful Dead, The Band, and a dash of Elton John into a blender.
• LIES - “Camera Chimera EP” — One half of American Football picks up where LP3 left off.
• The Mars Volta - “s/t” - Modern prog-rock legends return with a pivot into high-pop.
• mitch murder - “Selection 6” — Another collection of b-sides and rarties by the ’80s cheese synthwave mastermind.

Vinyls

• Further Seems Forever — “The Moon Is Down” 20th Anniversary Deluxe Box Set
• Thursday - “Full Collapse” 21st Anniversary Edition (3-10” Box Set)
• Sigur Rós - ( ) 20th anniversary edition - Signed Deluxe Box Set

Monique Judge, writing for The Verge:

If what is happening on Twitter hasn’t demonstrated it, our relationship with these social media platforms is tenuous at best. The thing we are using to build our popularity today could very well be destroyed and disappear from the internet tomorrow, and then what?

What happens to all the content you have created? Where will the archive of all your funny memes and jokes be? What is going to happen to all those selfies you felt cute in but didn’t delete later?

The answer is we don’t know because we don’t control Twitter (or Facebook or Instagram or Snapchat or TikTok). If one of these companies decided to shut down their service permanently, there would be nothing we could do about it.

Owning your content and controlling your platform is essential, and having a personal blog is a great way to do that.

This blog started out on the managed platform Wordpress.com. Wanting to own my own content, I spun up a new self-hosted Wordpress.org site called The State of Gaming (tsogaming.com) which would eventually become Zero Counts. In 2020, I migrated from Wordpress to Gatsby due to (amongst other things) a strong desire to get my content out of a database, into Markdown files, and stored in remote and local repositories, thus backed up via Time Machine, Drobo, Backblaze, iCloud, etc. Zero Counts and my career as a writer may not go anywhere, but it’s important for me to own, catalog, and control my work.

I genuinely appreciate the sentiment of Judge’s piece — I want to invest much more time blogging on Zero Counts in 2023 — but I struggle to understand how personal blogging crosses the chasms of connection, discoverability, and elevation. Perhaps surfing the web is a muscle I haven’t exercised for over a decade thanks to Big Algorithm, but I’m not exactly sure where to start with finding new blogs and outlets. Twitter was my primary source for new and interesting voices through retweets from my favorite writers and outlets. I think Mastodon has become my go-to community, but I don’t find myself connected to the zeitgeist, finding new content, or even engaging with my favorite creators on the network due to the lack of an algorithm. And that’s OK. It’s actually nice! I just hope I can find a way to find and consume the work old favorites as well as new and diverse voices.

I found Judge’s post via my RSS reader Reeder, so that’s a start.