Patrick Klepek for Vice’s Waypoint:

Minit knew what it wanted to accomplish, and how long it took to accomplish it. Done. But it also left me wanting more. If they announce a sequel—may I propose Another Minit?—I’ll be there with bells on. Too many games leave me exhausted, as if my dozens of hours have only made a small dent. (This is especially true for open world games.)

I recently played and completed Florence on iOS in 40 minutes. In that short stint, it hooked me, filled me with hope, sadness, and nostalgia, much like Disney’s Paperman short. It left a lasting impression on me.

I understand the feeling of immersion, but even with The Legend of Zelda: Breath of the Wild — as focused on in the previous post — I was yearning to finish. Many of the most impactful gaming experiences I’ve had have been shy of four hours; Journey — again, mentioned in Lewis Gordon’s ‘The Rise of the Ambient Video Game’ previously linked to — has been the most impactful of all. Another being Dear Esther.

Speaking of both Journey and Dear Esther, see also ‘Why the Two-hour Game is the Future’.

Lewis Gordon, writing for The Outline:

Both The Legend of Zelda and these ambient records channeled the natural elements of water, earth, and air — phenomena of increasing rarity in the modern Japanese city. To step into such video game worlds was to stabilise oneself within the frenetic noise and anonymity of the expanding urban spaces. The Famicom allowed players to experience video games from the comfort of their home while Yoshimura, alongside other ambient artists of the era such as Satoshi Ashikawa, designed their records for public spaces whose mood they attempted to subtly augment. Later, in 1993, Haruomi Hosono, member of Yellow Magic Orchestra, released Medicine Compilation From the Quiet Lodge, an ambient album touching on house and techno but infused with Japan’s past and elementalism. Its title articulated the healing potential of music created outside of the metropolis.

A lovely observation and read by Gordon.

Chris Plante, Polygon:

All of which is to say that the game is relaxed to the point of bordering on indifferent. Many of God of War’s most interesting surprises are optional, branching from the game’s sturdy throughline: secret rooms giving way to hidden caverns winding to towering statues or belligerent dragons — which I would have missed altogether had I just followed my compass to the next objective. You don’t find collectibles; you find entire chunks of story tucked behind a mossy wall or under a tropical island. God of War, like last year’s Nier: Automata and The Legend of Zelda: Breath of the Wild, rewards the player who inspects its immaculately designed world as if it were a hidden object game.

This reminds me of Star Fox 64. A player could “beat” Star Fox 64 without ever visiting over 50% of the areas/missions created for the game. (“Beat” in quotes as the path the player uncovers indicates a level of completeness, ultimately leading to a truer ending.)

It’s one thing to sprinkle trinkets throughout a game. It’s another to build entire stories and environments that may never be found. God of War sounds remarkable.

Xbox Wire: The official Xbox blog:

Starting today, fans can play Sonic Generations for the first time on the Xbox One family of devices alongside other Xbox 360 favorites that will receive Xbox One X Enhanced updates such as _Darksiders, Gears of War 2, Portal 2, Red Dead Redemption, _and Star Wars: The Force Unleashed.

Later this month, we’ll release two batches of Original Xbox games – the first on April 17 and the second on April 26. All of these Original Xbox games will take advantage of the power of Xbox One with up to 4X the pixel count on Xbox One and Xbox One S, and up to 16X the pixel count on Xbox One X. See below for the full list of titles that will be available later this month, and don’t forget to visit https://majornelson.com/blog/xbox-one-backward-compatibility/ for the full list of backward compatible titles available on Xbox One.

This is an impressive list of titles.

Microsoft’s continued focus on backward compatibility is a smart move. It certainly won’t be enough to sell the tens of millions of units necessary to catch up to PlayStation 4’s sales figures, but in conjunction with increasing cross-network compatibility and the impressive power in the Xbox One X (vs. the PS4 Pro), I think Microsoft has turned a story-telling corner.

That said, for the same reasons I think backwards compatibility is a winning strategy for Xbox One, I think the Nintendo Switch will hold the lead on the conversation for a long while. After only 1 year on store shelves, the Switch’s sales trajectory (14 million units) will likely surpass Xbox One’s total 25-30 million units in 2018. PlayStation 4 has a much greater lead at 76.5 million units sold over 4.5 years. However, 14 million units in one year is without Nintendo breaking the seal on their back-catalog. And unless Microsoft or Sony glom on to exclusive licenses for third-party back-catalog — they won’t — there’s no telling who else may hop aboard the Switch train. (Come on, Final Fantasy X and Kingdom Hearts!)

Janice Jackson, CEO of Chicago Public Schools, during Recode and MSNBC’s interview with Apple CEO Tim Cook:

But, to answer your question, yes — everybody has to code in Chicago because it’s a graduation requirement. I want to be clear on that.

The goal is not to turn 380,000 students into computer scientists, but really to demystify technology, and to make sure that they understand that this is a language, and these are skills that transcend disciplines; that they can use it in math courses — they can use the logic that they learn in any course that they’re taking. It really is about bringing in the type of robust learning that we see in schools around the country to every school in Chicago.

When I first heard about it— I’m former history teacher, so I couldn’t imagine what that would look like in my classroom 15 or 20 years ago. But the teachers are really embracing it. Through the training that we’re going to offer our teachers at North Western through Apple support is just amazing. It’ll demystify coding — not only for the students, but for the adults. I know at Escuela — we were just over here chatting about how the students are teaching the teachers. I think as adults we’re coming into this and learning the importance and it’s being driven by the technology. But it’s mostly being driven by the demand from our students. They learn differently and they are asking us to catchup with the 21st century.

One of my biggest regrets is not leaning into programming in high school.

In middle-school, I found it fascinating. But, during high school, caught up somewhere between punk ethos and popularity, I opted out of taking programming courses. I always felt like I’d get my ass kicked for taking a computer programming course. However, that didn’t stop me from enrolling in the chess club and taking AP physics, calculus, and government. Such is the confusion of high school identity.

Needless to say, programming was not required. It fills me with joy to learn that it is required in Chicago. Technology is as fundamental as history, math, and writing. It goes beyond revamping home economics. Everyone should learn to code, just as everyone should learn algebra and about World War II. It doesn’t mean they’ll be forced into computer science any more than they’ll be forced to become mathematicians or historians, but they’ll be better equipped to problem solve and understand how the world around them works.