Grant Kirkhope Releases Banjo-Kazooie OST on Bandcamp

Kyle Hilliard, GameInformer:

Grant Kirkhope, composer for Rare who created the Banjo-Kazooie soundtrack along with many others, has posted the soundtrack in its entirety online for download.

When we say the entire soundtrack, we mean everything. Among the 164 tracks, you will find familiar tunes, but you will also find the small musical cues and fanfares related to things like opening doors and collecting certain objects.

I’ve been streaming the Super Mario 64 OST from YouTube at work a lot lately. (Yes, YouTube.) I understand Nintendo has a sales strategy in place for their OSTs (see Super Smash Bros. 3DS Sleep Mode OST), but come on. Want the Super Smash Bros. OST? Here’s the deal (emphasis mine):

Buy and register both the Super Smash Bros. for Nintendo 3DS and Super Smash Bros. for Wii U games to receive a special soundtrack from Club Nintendo!

I’m not sure how Kirkhope is able to release this content, but he’s got my money. (And I’ve got a great Nintendo 64 era OST in ALAC.) Download here.

Someone call Koji Kondo and tell him we are ready for his box set.

On Strike Teams, Design Councils, and Braintrusts

Philip Kollar, Polygon:

Though Blizzard had split into multiple teams working on different games, part of Metzen’s approach to keep the culture together was to ensure that those teams still worked together in some ways. To accomplish this, the developer came up with the idea of “strike teams.”

“A bunch of people who are specifically not on the team for a game, who don’t have any sort of connection to the game, come in and look at your game,” says StarCraft 2 director Dustin Browder. “They go, ‘Wow, that’s dumb! I hate it!’ They’re not nice. We don’t want them to be nice. At some point, these games are going to go into the wild, and you’re going to ask people for real money for them. Strike teams are supposed to come in and go, ‘This is really good! This is really bad! I’m not going to tell you how to fix it, but you’ve got to do something.’ And then they walk off.”

In addition to strike teams, games frequently appear before Blizzard’s “design council,” a gathering of all of the game directors and lead designers throughout the company. Between strike teams and appearances before the design council, one thing regarding Titan became clear: It wasn’t shaping up.

If Blizzard’s cancellation of Titan reminded me of how Pixar handles things, “strike teams” and the “design council” certainly sound like a Pixar Braintrust.

Ed Catmull with Amy Wallace, Creativity, Inc.:

The Braintrust, which meets every few months or so to assess each movie we’re making, is our primary delivery system for straight talk. Its premise is simple: Put smart, passionate people in a room together, charge them with identifying and solving problems, and encourage them to be candid with one another. People who would feel obligated to be honest somehow feel freer when asked for their candor; they have a choice about whether to give it, and thus, when they do give it, it tends to be genuine. The Braintrust is one of the most important traditions at Pixar. It’s not foolproof—sometimes its interactions only serve to highlight the difficulties of achieving candor—but when we get it right, the results are phenomenal. The Braintrust sets the tone for everything we do.

In many ways, it is no different than any other group of creative people—within it, you will find humility and ego, openness and generosity. It varies in size and purpose, depending on what it has been called upon to examine. But always, its most essential element is candor. This isn’t just some pie-in-the-sky idea—without the critical ingredient that is candor, there can be no trust. And without trust, creative collaboration is not possible.

I’m sure most successful companies have strike teams/design councils/Braintrusts of their own. It’s just not every day you get to hear about it from the best of the best.

Portal's Influence on RAC's "Let Go (feat. Kele & MNDR)

RAC on Song Exploder:

I actually used this application called Melodyne. It’s sort of like Auto-Tune but it’s all done manually, so it’s not really automatic in that sense. You can really mess with a vocal and kind of turn it into this mechanical thing. Really play with the formant. There’s all this stuff that you can do and I use that pretty extensively in this song.

There’s this trick with Melodyne; it’s basically when you remove all the variations, it creates this kind of robotic sound. That’s what I did a lot with Kele’s vocal, not in the verses but during these sections, which I actually got from the video game Portal.

I am a big fan of RAC. Strangers quickly became my go-to jogging album when I lived in San Francisco. As RAC puts it, “a pop album with substance.” RAC’s inspiration from Giacchino’s work on LOST and perspective on remixing versus original work are interesting. Great episode of an incredible podcast.

For those who come here for games industry commentary unfamiliar with his work, check out RAC’s Nintendo Vs Sega and Nintendo Vs Sega 2.

IGN's Top 125 Nintendo Games of All Time

https://www.youtube.com/watch?v=_oD83lergBU

To round out their 125th Nintendo Anniversary celebration, Nintendo has released their the same Let’s Plays I’ve been thoroughly enjoying for over a month).

IGN:

Nintendo merely publishing a game that was developed by a third party does not make it eligible - for a game to be considered a “Nintendo game” in our eyes, Nintendo has to have had a hand in the development process itself. This excludes games like Golden Sun (developed by Camelot and published by Nintendo) and Meteos (developed by Q Entertainment and published by Nintendo).

The lack of third-party games published by Nintendo never crossed my mind. A truly impressive catalog from a truly revolutionary company. Again, a story I can believe in.

Welcome to Warp Zone!

Ken Nana - Welcome to Warp Zone! EP

Producer, musician, and fashion designer Ken Nana has released his debut EP, Welcome to Warp Zone! As the name suggests, the 6-track instrumental EP was inspired by Super Mario levels (keep an ear out for Super Mario Bros. Super Show! samples) and is comprised of futuristic airy beats a la Radiohead, FKA twigs, and fellow future-beat-making, space-minded, skate-punks Infinity Shred.

Download for free at NanaLifestyle.com. Support at the iTunes Store. Cover art by Curtis Parker.