Braving Blizzard and inclusion in games

Todd Harper writing for Polygon:

Meanwhile, the mere presence of prominent and respectfully portrayed women characters, characters of color, and queer characters is viewed as inherently political and thus anti-fun. It’s another subtle, vicious knife in the side of us marginalized people who play games that says: you’re second class. You’re less valuable. If you show up, somehow you’re removing the fun for everyone else.

This construction where it’s impossible to have “fun” and “inclusion” side-by-side by reflecting diversity in your games is a total illusion, a mirage thrown up to distract us from the simple fact that they just don’t want to make that effort.

Harper quoting Rob Pardo of Blizzard Entertainment earlier in the opinion piece:

“We’re not trying to bring in serious stuff, or socially relevant stuff, or actively trying to preach for diversity or do things like that,” he said. His example of a place where Blizzard struggles is portrayal of women.

Pardo notes that “because most of our developers are guys who grew up reading comics books,” Blizzard games often present women characters as a sexualized comic book ideal that “is offensive to, I think, some women.”

I find Pardo’s comments about Blizzard’s portrayal of women interesting when looking at the Hearthstone tutorial, granted the HS team may be far removed from Pardo’s view.

A very brave piece. Well done.

Osmo: New creative play

https://www.youtube.com/watch?v=CbwIJMz9PAQ

Pramod Sharma, Tangible Play CEO and co-founder, on skills machines can’t replicate:

One is the social and emotional learning. How do we connect with people? There’s a skill required in that. That’s fundamental for anyone. In school, they don’t know how to teach those kids.

The second one is creative, out of the box thinking. How do you teach kids to be creative? The theory [from educators] is when you’re using a device, or any gaming device, you’re creatively always a function of what the device lets you do. The Wii, for example, you can do only a constraint of what the controller is. You cannot go beyond this.

A simple modification turned creative moderator. Fascinating.

Well played: On multiplayer behavior, discipline, and new interactions

Patrick Stafford, The Atlantic:

That’s why Wiseman and Burch say game makers should feel obligated, as creators of the most popular entertainment medium for boys, to inject some emotional nuance into their work.

Making cooperation a part of gameplay is an easy way to do that. Many games already require players to use teamwork to win, but Burch and Wiseman say more can be done. Football matches require players to shake hand after every match—what if there was a digital equivalent?

In middle-school, I sent a recruitment request email to a Quake clan leader (there has to be a better term for this) full of overly aggressive sentiment and profanity from my friend’s computer. What I did not realize was that his father was able to track all outbound communication from the machine. I was later disciplined for my vulgarity by my parents and was forced to apologize to my friend’s parents. Full of embarrassment, I learned that the type of dialog I had engaged in was not appropriate. I also learned that even seemingly “anonymous” communication could be tracked.

I also recall seeing the term “gg” for the first time after a Starcraft match. After learning that the acronym stood for “good game,” I was taken aback. This may have been the first time I had seen resolute, positive communication in an online multiplayer setting. Sending “gg” at the end of each match became a ritual. This ritual can now be seen in Hearthstone. There has been much praise for Hearthstone’s use of limited speech commands, with a majority of matches ending in, “Well played.”

Fast forward a few years where I was called out by an openly gay high school classmate for being a “dick.” I am uncertain as to exact circumstance but I do recall being deserved of this title. At that moment, I had become acutely aware of my thoughts, actions, and communication toward others.

Not only does removing abusive communication from a game create an uninhibited environment for play and experience, I would bet that it has a lasting impact on real-world perspective and interaction. As long as slanderous behavior is met with positive reinforcement from in-game peers, the cancer will grow. Those shrouded in anonymity may be wise not to display this behavior in public but will continue to bank harmful viewpoints in private until disciplined by peers, companies, or guardians. Here’s to hoping Donald Sterling opened some eyes.

Discipline is necessary. I fear that those children continuing to engage in lewd behavior are not being disciplined or monitored. What is worse are the adults who continue to engage in such behavior that may never be disciplined or monitored.

One additional bit on innovative interaction in multiplayer games:

John Siracusa on Journey’s use of multiplayer interaction in “Strange Game”:

Though players can’t harm each other, they can help each other. Touching another player recharges the power used to leap and (eventually) fly. In cold weather, touching warms both players, fighting back the encroaching frost. More experienced players can guide new players to secret areas and help them through difficult parts of the game.

Journey players are not better people than Call of Duty players or Halo players. In fact, they’re often the same people. The difference is in the design of the game itself. By so thoroughly eliminating all forms of negative interaction, all that remains is the positive.

Players do want to interact; real people are much more interesting than computerized entities. In Journey, players inevitably find themselves having positive interactions with others. And, as it turns out, many people find these positive, cooperative interactions even more rewarding than their usual adversarial gaming experiences.

Welcoming to new players

Ben Kuchera, Polygon:

In most games of this genre you earn currency which is used to buy items, potions and buffs that make your character more powerful. Picking the right items at the right time for your character is a huge part of both League of Legends and Dota 2.

They were discussing the idea of removing the item shop altogether, and one of the game’s designers was becoming, as Browder put it “emotionally distressed” at the idea of removing an aspect of the game that’s a key part of the genre.

There were people on the team against the idea of an item shop and a gold system, as they just allowed those in the lead to remain in the lead and crush the other side. It added a layer of complexity that may not be welcoming to new players.

Worked well for Hearthstone.

I’ve been dreaming of a cross-over title since the original Warcraft III teaser, initially mistaking the rain of the Burning Legion as Zerg.

Polygon Human Angle: Queer Games

https://www.youtube.com/watch?v=XQB5snyJfXk

Mattie Brice, developer of Mainichi:

If I was to watch [Mainichi] be played anywhere it would be upsetting. Maybe upsetting is a good thing. I think we should be upset by games. I think that’s a valid emotion to happen. It’s not meant for me to feel good. It does make other people feel good because in a sense, this game has been validating. Many people are like, “Oh! I’ve had that experience too. I’m not alone.”

Human Angle is such a beautiful series.